painted Anne d'Autriche en costume royal in ca. 1650  Related Paintings of Apres Beaubrun :. | Reapers Resting in a Wheatfield (mk18) | Tree of Life | Roman de la Rose | johnsinger sargent | The Madonna of Port Lligat |
Related Artists:
Ramon Casas i Carbo
1866-1932,was a Catalan artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets.
Louis Welden Hawkins
British 1849-1910 Louis Welden Hawkins Galleries Louis Welden Hawkins was born in Germany ( 1 July 1849 ). His mother was an Austrian Baroness, his father Englishman. Hawkins moved soon to France and took later French nationality. Hawkins attended the famous Acad??mie Julian in Paris. Hawkins became famous after his expositions in the Salon de la Societe des Artistes Francais. His first work was shown in the Salon in 1881. After that, expositions followed at the Salon de la Societe des Beaux Artes (1894-1911), the Salon de la Rose-Croix (1894-95) and La Libre Esthetque in Brussels. He spended his last years in Brittany, where he painted mostly landscapes. Louis Welden Hawkins died in 1910 and was honoured a year later at the Salon Nationale.
Albert Baertsoen
Belgian, 1866-1922.Belgian painter and etcher. The son of a successful mill-owner and an excellent musician, he was a pupil and friend of Gustave Den Duyts (1850-97), and later, at the Ghent Acad?mie, of Jean Delvin (1853-1922). He was involved in the exhibiting society LEssor in Brussels as well as the triennial salons held in Brussels, Antwerp and Ghent in rotation. Among his earliest important works are The Scheldt at Dendermonde (1887; Ghent, Mus. S. Kst.), which he painted beside Isidore Meyers (1836-1917) and Franz Courtens in a Realist style characteristic of the Dendermonde school. In 1889-90 he attended the studio of Alfred Roll in Paris, where he met Jacques-Emile Blanche and Charles Cottet, and became particularly closely associated with Frits Thaulow, Emile-Ren? M?nard and Edmond Aman-Jean. He exhibited regularly at the Salon in Paris. Although Baertsoen is considered to be one of the first Belgian Impressionists, he belonged to no particular school. He was more than a descriptive landscape painter, for he sought to evoke through the depiction of the natural world a mood of melancholy and resignation. He painted silent streets, rocks, rivers and canals in Bruges, Li?ge, Nieuwpoort, Diksmuide and in London, where he stayed during World War I. His most important paintings, however, were inspired by his native town, Ghent, of which he built up a remarkable portrait over the years in such works as Barges in the Snow (1901) and Ghent in the Evening (1903; both Brussels, Mus. A. Mod.). A broad, spontaneous technique, great delicacy of nuance, deep sincerity as well as a certain meditative quality characterize his work, which is limited in quantity. Baertsoen played an important role in Belgian cultural life of his period and was elected to the Acad?mie Royale des Beaux-Arts in 1919.